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Mestre, Centro Culturale Candiani
From 16 September to 15 October, 2023
Third floor exhibition rooms

Friday, 6 October 2023, h. 20.00
Awarding Ceremony at Teatro Toniolo, Mestre

From 16 September to 15 October 2023, the Centro Culturale Candiani in Mestre hosts the collective exhibition of Premio Mestre di Pittura 2023, organized by Il Circolo Veneto and Fondazione Musei Civici di Venezia, under the patronage of Regione del Veneto, Città Metropolitana di Venezia and Comune di Venezia, with the collaboration of Accademia di Belle Arti di Venezia and Fondazione Bevilacqua La Masa. The exhibition will display the finalist works, selected by the prize jury.

The Premio Mestre di Pittura was inaugurated in distant 1958, based on the farsighted proposal by artist Andreina Crepet Guazzo, who since the early 1950s had advocated the cultural revival of the mainland in conjunction with the economic revival that took place in those years. After ten successful editions that included some of the most famous names of the day in the Veneto and beyond, the prize was abandoned in 1968. After over half a century of oblivion, it was successfully reinstated in 2017, due to the efforts and enthusiasm of the members of Circolo Veneto, and since 2018 it has been organised in collaboration with Fondazione Musei Civici di Venezia, a partner in selecting the artworks, organising the exhibition and preparing the catalogue.

The link between the Premio Mestre di Pittura and the Musei Civici has been evident from the earliest editions, in that the prizewinning work enters the Venice Municipal collections at the Galleria Internazionale d’Arte Moderna di Ca’ Pesaro.

The award is the result of collaboration between Venice Municipality and important Venetian cultural institutions, such as the Accademia di Belle Arti and Fondazione Bevilacqua La Masa; it also receives support from a large group of generous patrons and private sponsors. The aim is to promote contemporary pictorial art, and the seventh edition of the revived Premio Mestre di Pittura in 2023 is open to all, with no restrictions on age, gender, nationality or subject matter.

The Mestre prize jury is composed of illustrious art historians and professionals from the cultural sector. Previous presidents of the jury have included Stefano Zecchi, Philippe Daverio and Gianfranco Maraniello.

Since 2021, a Lifetime Achievement Award pays tribute each year to an artist who has distinguished themself over the course of their long career, not only in terms of artistic merit, but also based on links established with the region. In 2021 the award went to Ennio Finzi and in 2022 to Giorgio Di Venere. In 2023 the organising committee will select the winning artist.

In addition to the numerous initiatives connected with the Premio Mestre di Pittura and its long tradition, 2022 also saw the inclusion of a memorial route to commemorate past winners, beginning from 1958 with Maestro Ernani Costantini.

Venue

Centro Culturale Candiani
Piazzale Candiani, 7
30174 Venezia Mestre

Discover how to park in Mestre >

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Opening hours

Until 15 October, 2023
Tuesday to Sunday
16.00-20.00
Closed Mondays

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Admission free

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From 20 May to 26 November 2023
Artworks ranked as first ones for each artistic category
Venice Pavilion at the Giardini della Biennale

From 30 June to 31 December 2023
Selected works
Forte Marghera, Pavilion 29, Mestre
30 June-30 September: from Tuesdays to Sundays, 16.00-20.00
1 October-31 December: from Tuesdays to Sundays, 12.00-16.00
Free entrance

In 2019, during the 58th Venice Biennale, the Mayor of Venice Luigi Brugnaro launched ‘Artefici del nostro tempo’ (Creators of Our Time), a competition for young emerging creatives between the ages of 18 and 35, who were either born, resident, students or workers in Italy.
The goals of the competition are to disseminate the contemporary artistic trends of the new generations and offer young artists from diverse artistic fields the opportunity to use their expressive form to represent the chosen Biennale theme for each edition.

The initiative promotes of the work of these emerging creatives in the specific disciplines selected for the competition, offering them an occasion to develop and present their work in prestigious Venetian exhibition venues. The fourth edition of ‘Artefici del nostro tempo’ has invited artists to respond to the theme ‘The Laboratory of the Future’, the title of the 2023 Architecture Biennale.
The categories confirmed for this year are glass design, photography, painting and street art, as well as the new discipline New Media Art, which sees young artists tackle the techniques of digital illustration, video art and 3D printing.
This edition will also establish a closer link with the Biennale programme by introducing the sections interior design and street furniture design, with a view to providing an even wider vision of contemporary creativity.

The ‘Artefici del nostro tempo’ project will take place in various venues across the city, with the prizewinning work from each category exhibited from 20 May to 26 November at the Padiglione Venezia in the Biennale Giardini.
From 30 June to 31 December, Pavilion 29 at Forte Marghera will hold a group exhibition of the work by the other creatives selected from each category, with the street art artists each allocated a wall for their work.
On 1 December the prizewinning works will be transferred from the Padiglione Venezia to the group exhibition space at Forte Marghera, where they will remain until the end of the
year.
They will then enter the collections of the Venice Municipality at Ca’ Pesaro – Galleria Internazionale d’Arte Moderna.

“Creators of our time” is a project set up by the Municipality of Venice in collaboration with: Musei Civici di Venezia Foundation, Padiglione Venezia della Biennale, Forte Marghera Foundation and Venis Spa.

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30 September 2022 – 10 April 2023
Centro Culturale Candiani, Mestre

Curated by: Elisabetta Barisoni

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Autumn at Candiani will be dedicated to Wassily Kandinsky and the European avant-garde movements. From 30 September 2022 to 10 April 2023, the Fondazione Musei Civici di Venezia is presenting Kandinsky and the avant-gardes. Point and line to plane, curated by Elisabetta Barisoni, at the Candiani Cultural Centre in Mestre. This original MUVE project draws the entire content of the very rich exhibition from its own collections, in particular from the masterpieces of the collections of the Galleria Internazionale d’Arte Moderna di Ca’ Pesaro, an exceptional example of its kind in Italy, especially with regard to the great international artists of the twentieth century.
In the exhibition, alongside Kandinsky, visitors can admire masterpieces by Paul Klee, Lyonel Feininger, Enrico Prampolini, Jean Arp, Victor Brauner, Joan Mirò, Antoni Tàpies, Yves Tanguy, Luigi Veronesi, Ben Nicholson, Karel Appel, Roberto Matta, Giuseppe Santomaso, Mario Deluigi, Tancredi, Mark Tobey, Emilio Vedova, Mirko Basaldella, Eduardo Chillida. Bruno De Toffoli, Julia Mangold, Luciano Minguzzi and Richard Nonas.

The exhibition makes use of works purchased by the City of Venice at the various editions of the Biennale, together with others donated by the award-winning artists themselves or by patrons and private individuals, bearing witness to a fascination with Venice and a long history of esteem and gratitude that links the Museums to the city and binds together its cultural institutions, collectors, patrons and artists. This history has resulted in Ca’ Pesaro becoming Italy’s central venue for documenting the tumultuous changes in the twentieth-century international art scene, and one where many masterpieces are permanently displayed.

Through more than 40 masterpieces – including paintings, works on paper and sculptures – the exhibition recounts the fascinating journey of abstract art from its birth to the present day.
Point and line to plane is the title of a famous book written by Wassily Kandinsky in 1926, one of the capital texts of modern art theory. The Russian artist’s research laid the foundations for abstract art in the twentieth century and his theories on non-figurative art combine with the continuous correspondences established in the works, between colours, shapes and sounds.

After the first part dedicated to the Birth of abstract art, the exhibition presents – again thanks to the masterpieces in Ca’ Pesaro – The avant-garde movements between abstraction and Surrealism. Following the line traced out by Klee and Kandinsky, we witness the 1920s experiments of Surrealism by Joan Miró, Yves Tanguy, Victor Brauner and Antoni Tàpies, Jean Arp’s abstract sculpture, Enrico Prampolini’s cosmic analogies and Luigi Veronesi’s musical forms.
The third part of the exhibition explores the persistence of Abstract art after the Second World War. In the 1940s, Kandinsky’s innovations were echoed in Britain by Ben Nicholson, in the international scene by Abstract Expressionism and in Italy by the Fronte Nuovo delle Arti and Astrattismo segnico. From Emilio Vedova to Mario Deluigi, from Giuseppe Santomaso to Tancredi, from Roberto Matta to Karel Appel and on to Mark Tobey, the forms of abstraction in the second part of the twentieth century fall somewhere between informal, lyrical and gestural suggestion.
The exhibition closes with Sculpture towards Minimalism, presenting a fine selection of sculpture that completes the itinerary with masterpieces by Mirko Basaldella, Eduardo Chillida, Luciano Minguzzi and Bruno De Toffoli. These testify to the persistence of the dialogue between abstraction and biomorphism in the 1950s. Finally, the resumption of a radical, almost ascetic abstraction makes its way with the minimalist experiences of Richard Nonas and Julia Mangold, who introduce the visitor to the groundbreaking art of the 1970s and to the revival of a new life of abstract art and forms.

Kandinsky and the avant-gardes is an exhibition that does double duty: on the one hand it indicates the desire of the Fondazione MUVE to embark on a new phase in its collaboration with the Centro Culturale Candiani. On the other, it represents the effective testimony of the new network of relations that the Fondazione Musei Civici di Venezia has created in a broader territorial area, for the exhibition was already presented between December 2021 and May 2022 in a smaller format at the Galleria Comunale d’Arte Contemporanea in Monfalcone.
The exhibition is part of the extensive MUVE Contemporaneo programme that the Fondazione Musei Civici has organised on the occasion of the resumption of exhibition activities and in conjunction with the 59th Art Exhibition of the Venice Biennale.

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Educational activities and guided tours >>>

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From 23 April to 27 November 2022
Artworks ranked as first ones for each artistic category
Venice Pavilion at the Giardini della Biennale

From 25 June to 31 December 2022
Selected works
Forte Marghera, Pavilion 29, Mestre
25 June-30 September: from Tuesdays to Sundays, 16.00-20.00
1 October-31 December: from Tuesdays to Sundays, 12.00-16.00
Free entrance

Is open the first of the exhibitions related to the third edition of the contest Creators of our time, aimed at young artists who are called to represent “The milk of dreams”, title of the next Biennale Visual Arts 2022, with their artworks on Glass Design, Glass Artworks, Photography, Comics and Illustration, Painting, Visual Poetry, Video Art and Street-Art.

Almost a thousand applications were received.
The first three works ranked for each of the following categories: Glass Design, Glass Works, Photography, Comics and Illustration, Painting, Visual Poetry, Video Works, Street Art, will receive a cash prize established as follows: for the first prize Euro 3.000, for the second prize Euro 2.000 and for third prize Euro 1.000.

The selected works in competition will be exhibited in the following venues during the Summer/Autumn 2022 as explained below:
1. Artworks ranked as first ones for each artistic category will be exhibited at the Venice Pavilion at the Giardini della Biennale in the occurrence of the Biennale Arti Visive 2022, from 23 April to 27 November.
2. The other selected works will be exhibited at Pavilion 29 in Forte Marghera in Mestre from June to December 2022.

“Creators of our time” is a project set up by the Municipality of Venice in collaboration with: Musei Civici di Venezia Foundation, Forte Marghera Foundation and ICT Venis Spa.

NOTICE TO THE PUBLIC
From 1 May 2022 entry to museums and exhibition venues will no longer require the use of face masks. However, following the Ordinance of the Minister of Health dated 28 April 2022, visitors are encouraged to continue to wear their masks during the visit, especially in crowded areas.

For more information on current regulations in Italy:
www.dgc.gov.it/web/  |  https://ec.europa.eu

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Exhibition Premio Mestre di Pittura 2020

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Mestre, Centro Culturale Candiani
From 4 September to 4 October 2020

Organized by
Il Circolo Veneto
Fondazione Musei Civici di Venezia

Under the patronage of
Centro Culturale Candiani
Città Metropolitana di Venezia
Regione del Veneto

In collaboration with
Accademia di Belle Arti di Venezia
Fondazione Bevilacqua La Masa
Comune di Venezia
Museo M9
Padiglione Venezia della Biennale

The founding of the Premio Mestre di Pittura (Mestre Painting Prize) in distant 1958 was the outcome of a farsighted proposal by artist Andreina Crepet Guazzo, who from the early 1950s advocated the cultural revival of the mainland in conjunction with the economic resurgence of those years. After ten successful editions involving some of the most famous names in painting in Venice and beyond, the prize was abandoned in 1968.
After over half a century of oblivion, it was successfully reinstated in 2017, due to the efforts and enthusiasm of the members of the Circolo Veneto cultural association, and since 2018 it has been organised in collaboration with the Fondazione Musei Civici di Venezia, which assists in selecting the artworks, organising the exhibition and preparing the catalogue.

The re-established Premio Mestre di Pittura is the result of participation by the Municipality of Venice, important Venetian cultural institutions, and the support of a large group of generous art patrons and private sponsors. In 2020 it will hold its fourth edition and is set to become a regular national event. Almost 900 artists participated from all over Italy and abroad, 54 of whom were selected for the finalists’ exhibition at the Centro Culturale Candiani.

The jury, chaired by professor Philippe Daverio – recently passed away – is made up of experts and professionals spanning the world of art and culture. They include Gabriella Belli, director of the Fondazione Musei Civici di Venezia; Giuseppe La Bruna, director of the Accademia di Belle Arti di Venezia; Michele Bonuomo, editor of Mondadori’s monthly journal Arte; Roberto Zamberlan, director of the Fondazione Bevilacqua La Masa; Christiano Costantini, President of the “Amici del Premio Mestre” and Marco Dolfin, curator of the exhibition and jury secretary.

As per tradition, the winning work will enter the museum collections of Ca’ Pesaro Galleria Internazionale d’Arte Moderna. In addition, the 2020 winner will also be present in the Venice Pavilion at the Biennale.

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CREATORS OF OUR TIME

From 15 June to 1 September 2019

Ca’ Pesaro – Galleria Internazionale d’Arte Moderna, Venezia
Centro Culturale Candiani, Mestre
Forte Marghera, Mestre

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Friday 14 June 2019

Centro Culturale Candiani, Mestre
Open day: 10.00-18.00
Presentation: 12.00

Forte Marghera, Mestre
Open day: 16.00-20.00
Presentation: 18.00

Upon proposal by the Mayor of Venice, Luigi Brugnaro, it was born Creators of our time, a call for a selection of young emerging artists, from 18 to 35 years old, born, residents, living or working in Italy.

The project is focused in expressing their vision about the present age, according to the topic of 2019 Biennale of Venice, titled May You Live in Interesting Time, through six artistic media: visual poetry, music video clip, street art, painting, comics and photography.

The goals of the project are to spread the contemporary artistic trends of the new generations and to enable young artists to represent “interesting times” like the ones we are experiencing, giving to the young creators the possibility to exhibit in prestigious venues.

The call has proved very successful, with 2262 replies from artists (161 for visual poetry, 77 for music video clip, 76 for street art, 1286 for painting, 98 for comics and 694 for photography).

The winners are selected at Ca’ Pesaro – Galleria Internazionale d’Arte Moderna, from 24 April, among the great masters of the permanent collection and they will also be exhibited in rotation in the Venice Pavilion within the Biennale’s Giardini. At Centro Culturale Candiani in Mestre the selected nine of each category are on show. The street art works are, finally, on show at Forte Marghera, Mestre.

Project realized by Comune di Venezia in collaboration with Fondazione Musei Civici di Venezia, Padiglione Venezia della Biennale, Fondazione Teatro La Fenice, Fondazione Forte Marghera, Centro Culturale Candiani, Biblioteca VEZ Mestre, Hybrid Music, Istituzioni Bevilacqua La Masa, Bosco e Grandi Parchi e Centri di Soggiorno.

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MUVE Contemporaneo

MARE BLU

15 June – 13 October 2019
Forte Marghera, Mestre

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Friday 14 June
Open day: 16.00-20.00
Presentation: 18.00

Exhibition curated by Gabriella Belli and Alberto Salvadori

Mare Blu is an exhibition where the experience connected to the place brings the visitor beyond the artworks to make him meet again with times, places and situations that challenge his certainties and everyday life.

The scenery of Forte Marghera, with its recovered and transformed spaces, appears in an artistic dimension that exceeds the classical relationship with architectures, and the presence of artists and their art offers us the opportunity to seize the metamorphosis of a space.

So, what if a wave opened and invested people in a place without sea? What if the room of a hypothetical museum was a homeless shed? What if a dark room was enlightened by to the magic of cinema? And what if images make us dream, live, narrate the sea, talk about Venice and its lagoon and what if they made us travel without thinking about a return? What if…?

The Sea is the subject of the tale created by artists; our “blue sea” does not cease and has never ceased to be the crossroads of a thousand events: Venice is the example and the representation par excellence that has been able to go beyond these natural boundaries. The changes and mutations that have generated in recent centuries magnificent exchanges and internal conflicts to all cultures, the Mediterranean ones included, still influence and determine the relationship between the people: and language as an instrument of interaction and pacification, has always lived together with the cultures of the sea. Mare Blu means also memories, mutual forms of knowledge which for the city on the lagoon has a story that dates back to more than 1500 years ago. A real marine syntax, articulated thanks to an internal grammar, with which we can see, hear, listen to this sea: this is the life of Venice.

But not only this: the sea recalls the concept of the Mediterranean as a place of proximity, a real border area between two worlds, today multiple worlds. From the Balkans to Asia Minor, from the Iberian Peninsula to North Africa, the Mediterranean Sea has always been a border that at the same time is bond between its parts. The three moments of the exhibition linked to the work of Bill Viola, to Massimo Bartolini and to a splendid story taken from more than 80 films selected by Prof. Gian Piero Brunetta go to define a tale of the sea; three chapters that allow you to read a wholeness that slowly risks the dissolution if we don’t take care of it. The sea is life, and with it even the ancient civilization that has defined and built the progress of the world and the human race, may exist or disappear.

Mare blu is curated by Gabriella Belli and Alberto Salvadori and is part of the programme of MUVE Contemporaneo 2019.

Exhibition realized on the occasion of Salone Nautico Venezia
Arsenale, 18-23 giugno 2019

Image: Bill Viola, The Raft, May 2004, Video/sound installation © 2019 Bill Viola
Photo: © 2019 Kira Perov, Bill Viola Studio

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18 December 2018 – 24 March 2019
Centro Culturale Candiani, Mestre

Curated by: Irina Artemieva and Alberto Craievich

Scientific direction: Gabriella Belli and Michail Piotrovsky

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Over 70 works from the Hermitage in St. Petersburg, including 20 paintings by great sixteenth to eighteenth-century Venetian masters, which return to Venice after centuries, will appear alongside drawings and paintings from the Venetian civic collections, revealing shared aspects of collecting history between Venice and St. Petersburg.

Veronese, Titian, Tiepolo, Canaletto and Guardi.
Works never before displayed in Italy and which indeed in some cases have never left the Hermitage will be on show in Mestre, including two newly-attributed Carlevarijs and a singular late work by Jacopo Tintoretto that has never before been exhibited.

The State Hermitage Museum holds one of the greatest collections of Venetian art in the world. The story of its creation is one of the most fascinating chapters in the history of collecting, with extraordinary and unforeseen discoveries that still surprise us today.

Especially designed for the Centro Culturale Candiani exhibition site in Mestre on the Venetian mainland, the exhibition uses a group of paintings and drawings, some of which have never been shown before in Italy, to document the various routes that took Venetian art to the Hermitage, and in doing so brings to life the historic figures of collectors and merchants.
The works have been selected so that the history of each piece summarises a specific episode that led to the formation of the Venetian art collection at the Russian museum. On display will be paintings by the greatest Venetian artists of the sixteenth century, such as Tiziano, Veronese, Tintoretto, Bellotto, Canaletto, Tiepolo and Guardi.

Relations between Venetian artists and their Russian patrons during the eighteenth century will also be explored by presenting drawings by artists whose work is present both in the collections of the Fondazione Musei Civici di Venezia and in those of the Hermitage. One such example is Giacomo Quarenghi, 45 of whose drawings, mostly unpublished, are conserved by the Cabinet of Drawings and Prints in the Correr Museum. These will be accompanied by the drawings of Bartolomeo Tarsia, Pietro Antonio Novelli and Francesco Fontebasso, whose work for the Russian court exemplifies some of the most fertile moments of their creativity.
Finally, “twin” collections of Giambattista Tiepolo’s work link Venice to St Petersburg: these are the Gatteri and Beurdeley albums, which contain chalk drawings on blue paper, a selection of which will be shown together for the first time.

This absolutely original exhibition, with masterpieces lent by one of the largest and most important museums in the world, will be held in an unconventional venue for displaying historic art. The event has been made possible due to collaboration between the City of Venice and the State Hermitage Museum, according to agreements between Italy and Russia for establishing an “Hermitage Italia”.

Exhibition promoted with
State Hermitage Museum

In collaboration with
Ermitage Italia

Info and tickets >>>

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6 June – 28 October 2018
Forte Marghera, Mestre

Curated by Marco Riccardi
Scientific direction: Gabriella Belli

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Among the initiatives planned at Forte Marghera to promote contemporary art and encourage a young public to enjoy it, is a spectacular exhibition dedicated to one of the most interesting and attractive symbols of twentieth-century design: the motorbike.

After the Second World War, Made in Italy products began to gain success internationally, and the motorbike, a combination of technology and creativity, became one of the spearheads of Italian industry. The motorbike represented the throbbing pulse of cultural upheaval that coursed through Italy during the twentieth century and propelled the technological field in its creation of products not only highly innovative, but also of great beauty. The motorbike became a cultural phenomenon and a symbol of youth, freedom, courage and nonconformism, even playing a major role in films.

Designed as a review of the most famous aerodynamic forms of Italian motorbikes (with some foreign inclusions), this major exhibition presents icons created by the prominent Italian firms and explores the evolution of the concept of design and safety in this field. It is an epic tale of Italian two-wheel motorisation that will dialogue with the Forte Marghera pavilion during the Architecture Biennale.

Entrance is free

Open Tuesday-Sunday from 15 to 22
Closed on Mondays 

Forte Marghera
Via Forte Marghera, 30
30173 Mestre (Venezia)

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Corto Circuito. Dialogue between the centuries

ABOUT POP ART IN THE SONNABEND COLLECTION.
From Johns and Rauschenberg to Warhol and Lichtenstein and to Koons

15 July – 5 November 2017

• PROMO: on October 31 (Halloween), the exhibition will be exceptionally open until 10 pm with reduced ticket (3 euros).

By means of a group of more than forty works from the Sonnabend Collection, the exhibition retraces the extraordinary decade of the 1960s, a time when the US had become the centre of the cultural and art world, endorsing a new way of conceiving a work of art that took on board the challenge of the emerging mass culture and new media.

It was, in fact, the US that gave birth to one of the most persistent movements in the twentieth-century imagination – Pop Art – irreverent and ironic, but also caustic and critical towards a new society that was already the slave of industry and consumption. A society intoxicated by the standardisation that was to take over the last few decades of the twentieth century and marked the prologue to the global society of our current day.

Andy Warhol, Roy Lichtenstein, Jasper Johns, Jim Dine, Tom Wesselmann, Robert Rauschenberg and many other artists are presented through iconic examples of their work, such as Warhol’s Jackie Kennedy and Campbell’s Soup series, Lichtenstein’s beautiful Little Aloha, Rauschenberg’s celebrated Combine Painting and the legendary Number 8 by Jasper Johns.

The history of the Sonnabend Collection is one of the most fascinating of the twentieth century. When Michael and Ileana Sonnabend opened their gallery in Paris in November 1962, their intention was to present young American artists to the European public. The work of Jasper Johns and Robert Rauschenberg ushered in a new generation of artists, such as Warhol, Lichtenstein, Oldenburg, Rosenquist and Wesselmann, all shown in the Paris gallery. Their success was recognised at the 1964 Venice Biennale, where Rauschenberg was awarded first prize for painting.

The masters of the Pop Art movement are presented in Mestre alongside their European contemporaries, among them Arman, Christo and Mario Schifano, and also with artists from the subsequent generation, such as Jeff Koons and Haim Steinbach, who revisited Pop Art with a conceptual approach.

• Buy your ticket online >

In cooperation with The Sonnabend Collection Foundation
A project by Gabriella Belli
Curated by Antonio Homem

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